{"id":369,"date":"2026-03-16T09:38:31","date_gmt":"2026-03-16T09:38:31","guid":{"rendered":"https:\/\/hablemosdecine.blog\/?p=369"},"modified":"2026-03-16T13:16:48","modified_gmt":"2026-03-16T13:16:48","slug":"nightbitch","status":"publish","type":"post","link":"https:\/\/hablemosdecine.blog\/?p=369","title":{"rendered":"Nightbitch (2024)"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"337\" src=\"https:\/\/hablemosdecine.blog\/wp-content\/uploads\/2026\/03\/Nightbitch.png\" alt=\"\" class=\"wp-image-370\" srcset=\"https:\/\/hablemosdecine.blog\/wp-content\/uploads\/2026\/03\/Nightbitch.png 600w, https:\/\/hablemosdecine.blog\/wp-content\/uploads\/2026\/03\/Nightbitch-300x169.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p><em>Amy Adams in Nightbitch&nbsp;(Image credit: Anne Marie Fox\/Searchlight Pictures)<\/em><\/p>\n\n\n\n<p>Marielle Heller dirige en 2024 <em>Nightbitch<\/em> con pulso bastante firme e ideas innovadoras. Nos habla de la familia, de la maternidad, vamos, de lo de siempre, pero desde un punto de vista alternativo \u2013y aunque solo fuera por eso, <strong>revolucionario<\/strong>\u2013 y muy fresco.<\/p>\n\n\n\n<p>Una Amy Adams sorprendentemente regordeta interpreta a una madre en todo su realismo, una madre consciente de que la maternidad no es un don divino, ni un privilegio, ni una meta. No da por descontado lo que la moral jud\u00edo-cristiana de la industria cinematogr\u00e1fica occidental celebra (casi) en todas las pel\u00edculas: que la maternidad es un don divino, un plan maravilloso y sin fisuras.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amy Adams in Nightbitch&nbsp;(Image credit: Anne Marie Fox\/Searchlight Pictures) Marielle Heller dirige en 2024 Nightbitch con pulso bastante firme e ideas innovadoras. Nos habla de la familia, de la maternidad, vamos, de lo de siempre, pero desde un punto de vista alternativo \u2013y aunque solo fuera por eso, revolucionario\u2013 y muy fresco. Una Amy Adams [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-369","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=\/wp\/v2\/posts\/369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=369"}],"version-history":[{"count":3,"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=\/wp\/v2\/posts\/369\/revisions"}],"predecessor-version":[{"id":441,"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=\/wp\/v2\/posts\/369\/revisions\/441"}],"wp:attachment":[{"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hablemosdecine.blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}